Hi! How are you? Excited? Nervous? Hating your MS? Loving your MS? Yep, I get it. Been there, have the wrinkles to prove it. But that's what retinoids are for, and besides--
Wait, let me back up and do this introduction thing properly. And, you know, by "properly" I mean Hart of Dixie style.
So, you're probably wondering who I am and why I think I'm a rockstar, when I'm just a brand new little newbie mentor. Well, here's the thing--I'm not really one of those "I think I'm a rockstar" kind of people, so we won't be going there. Sorry. BUT I can tell you who I am. Here goes.
OFFICIAL, PRETTY BIO:
USA TODAY bestselling author Melissa West is the
author of more than fifteen novels, each set in the South and ready to steal a
reader’s heart with Southern charm, sweet tea, and a whole mess of gossip. Her
novels have received high praise and recognition from RT Book Reviews, Seventeen
Magazine, Fresh Fiction, and Harlequin Junkie, among others…
I have this one scene in TWISTED ROOT that is…intense. It is so intense that I’ve had reactions all over the place from my CP’s and betas.
Let me start by saying I have a ton of people read my work. An 8 person crit group, 2 crit partners, and 2 that I would say are alpha readers—friends who read tons and have strong editing backgrounds.
So I receive crits all over the place, and this scene has created some interesting responses. One critter went crazy for it, loved it. Another referred to it as slightly icky. I loved that response. :) Another blushed when we discussed it in person. And all of the male critters I have thought it was awesome—go figure. Men have a much higher threshold for uncomfortable-ness, than most women. (JMHO!!!)
Now I’m not saying I don’t adore all my readers. I do. I couldn’t write without them. Each one makes my work stronger. But here’s the thing, I’m keeping the scene, as it is (for now). Wanna know why?
I think as a writer you should make your reader uncomfortab…
Outlining...yes, that organizational craziness that forces you to look like the poor cat above. Yep, that's what I'm talking about today. After reading a fellow blogger’s post regarding plotters vs. pansters, I began to research various outlining methods. The snowflake method is a very common approach that involves starting with a summary sentence (a.k.a pitch) then expanding out. Some claim this hinders creativity, while supporters feel it keeps them on track. I've decided to use elements of the approach (click here). I like the pitch sentence to begin with. This took me quite awhile, but in developing my pitch sentence for Twisted Root I found that it helps to think in broad terms. A+B=C But the more interesting element of this model is the disaster moments in the story. You know, those moments where you become the evilest writer on the planet and your characters are tortured. The Snowflake method suggests that you have 3 disasters (more with sub-plots) and an ending, ea…