I’ve grown a little obsessed with Goodreads lately. Some reviewers seem to love everything, while others hate everything. The logic behind many of the reviews can be fairly funny to read. One such topic for YA has been “insta-love.” The reviews define the term as two characters meet and 20 pages later they’re madly in love, willing to give up their lives for one another.
While I think 20 pages is likely quick for the word “love,” I do not think it is too quick for obsession. Why? Because that is teen love. I have a 14-year-old niece who has a different boyfriend all the time it seems. One such boyfriend “cheated” on her—meaning he went to a movie with another girl—and she said “it was really hard because we were together so long.” So I asked her how long and she responded: “three weeks.” Yep, it took three whole weeks for my young niece to fall for some boy. I think it is very important to remember our true audience when writing for YA. We are not writing for the 30-year-old women who…
Hi! How are you? Excited? Nervous? Hating your MS? Loving your MS? Yep, I get it. Been there, have the wrinkles to prove it. But that's what retinoids are for, and besides--
Wait, let me back up and do this introduction thing properly. And, you know, by "properly" I mean Hart of Dixie style.
So, you're probably wondering who I am and why I think I'm a rockstar, when I'm just a brand new little newbie mentor. Well, here's the thing--I'm not really one of those "I think I'm a rockstar" kind of people, so we won't be going there. Sorry. BUT I can tell you who I am. Here goes.
OFFICIAL, PRETTY BIO:
USA TODAY bestselling author Melissa West is the
author of more than fifteen novels, each set in the South and ready to steal a
reader’s heart with Southern charm, sweet tea, and a whole mess of gossip. Her
novels have received high praise and recognition from RT Book Reviews, Seventeen
Magazine, Fresh Fiction, and Harlequin Junkie, among others…
Outlining...yes, that organizational craziness that forces you to look like the poor cat above. Yep, that's what I'm talking about today. After reading a fellow blogger’s post regarding plotters vs. pansters, I began to research various outlining methods. The snowflake method is a very common approach that involves starting with a summary sentence (a.k.a pitch) then expanding out. Some claim this hinders creativity, while supporters feel it keeps them on track. I've decided to use elements of the approach (click here). I like the pitch sentence to begin with. This took me quite awhile, but in developing my pitch sentence for Twisted Root I found that it helps to think in broad terms. A+B=C But the more interesting element of this model is the disaster moments in the story. You know, those moments where you become the evilest writer on the planet and your characters are tortured. The Snowflake method suggests that you have 3 disasters (more with sub-plots) and an ending, ea…